Why Do We Imagine?
Why do we have imagination? What’s it for? And how can we use it to further our acting?
healthy desires
Why do we have imagination? What’s it for? And how can we use it to further our acting?
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Please be advised that due to the nature of limited availability, all bookings are non-refundable, however, sessions may be rescheduled at the provider’s discretion with at least 48 hours notice (or 24 hours in case of sudden illness) for private 1-1 bookings.
Please be advised that due to the nature of limited availability, all bookings are non-refundable, however, sessions may be rescheduled or provided credit for future use with at least 48 hours notice (or same day in case of sudden illness or personal emergency). No shows without notification will not be credited.
There will be a 25% admin charge for dropping out or changing months within 14 days of class starting and the full cost of the course will be charged if you drop out within a week of class starting. This, again ensures we have a complete ensemble and a great experience for your scene partner. Please note this spot could have been filled with good notice but letting us know close to the date not only hurts your partner but also cannot be filled at the last minute. No refunds will be given due to the online and automatic nature of the system and advertising requirements which are dependant upon the numbers of accepted students. Please do not request refunds in exception to the above terms and conditions.
Please be advised that due to the nature of limited availability, all bookings are non-refundable. Classes have limited availability and so require at least 14 days notice of change in order to qualify for credit for future use. No refunds will be given however due to the online and automatic nature of the system and advertising requirements dependant upon the numbers of accepted students. Please do not request refunds in exception to the above terms and conditions.
At Mindful Acting, accessible from www.mindfulacting.co.uk, one of our main priorities is the privacy of our visitors. This Privacy Policy document contains types of information that is collected and recorded by Mindful Acting and how we use it.
If you have additional questions or require more information about our Privacy Policy, do not hesitate to contact us.
This Privacy Policy applies only to our online activities and is valid for visitors to our website with regards to the information that they shared and/or collect in Mindful Acting. This policy is not applicable to any information collected offline or via channels other than this website. Our Privacy Policy was created with the help of the Free Privacy Policy Generator.
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The personal information that you are asked to provide, and the reasons why you are asked to provide it, will be made clear to you at the point we ask you to provide your personal information.
If you contact us directly, we may receive additional information about you such as your name, email address, phone number, the contents of the message and/or attachments you may send us, and any other information you may choose to provide.
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We use the information we collect in various ways, including to:
Mindful Acting follows a standard procedure of using log files. These files log visitors when they visit websites. All hosting companies do this and a part of hosting services’ analytics. The information collected by log files include internet protocol (IP) addresses, browser type, Internet Service Provider (ISP), date and time stamp, referring/exit pages, and possibly the number of clicks. These are not linked to any information that is personally identifiable. The purpose of the information is for analyzing trends, administering the site, tracking users’ movement on the website, and gathering demographic information.
Like any other website, Mindful Acting uses ‘cookies’. These cookies are used to store information including visitors’ preferences, and the pages on the website that the visitor accessed or visited. The information is used to optimize the users’ experience by customizing our web page content based on visitors’ browser type and/or other information.
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You may consult this list to find the Privacy Policy for each of the advertising partners of Mindful Acting.
Third-party ad servers or ad networks uses technologies like cookies, JavaScript, or Web Beacons that are used in their respective advertisements and links that appear on Mindful Acting, which are sent directly to users’ browser. They automatically receive your IP address when this occurs. These technologies are used to measure the effectiveness of their advertising campaigns and/or to personalize the advertising content that you see on websites that you visit.
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Mindful Acting’s Privacy Policy does not apply to other advertisers or websites. Thus, we are advising you to consult the respective Privacy Policies of these third-party ad servers for more detailed information. It may include their practices and instructions about how to opt-out of certain options.
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Under the CCPA, among other rights, California consumers have the right to:
Request that a business that collects a consumer’s personal data disclose the categories and specific pieces of personal data that a business has collected about consumers.
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If you make a request, we have one month to respond to you. If you would like to exercise any of these rights, please contact us.
We would like to make sure you are fully aware of all of your data protection rights. Every user is entitled to the following:
The right to access – You have the right to request copies of your personal data. We may charge you a small fee for this service.
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Mindful Acting does not knowingly collect any Personal Identifiable Information from children under the age of 13. If you think that your child provided this kind of information on our website, we strongly encourage you to contact us immediately and we will do our best efforts to promptly remove such information from our records.
As a director, Dan tries to focus on texts which aim to open up people’s hearts. In theatre his particular preference is for plays that are often overlooked but have the capacity to wake people up to some true nature of reality, ‘to hold the mirror up to nature’.
He has a particular penchant for plays that capture the heart and don’t let go until the last breath. He believes theatre can be a kind of religious experience where the audience and actors form a communion and can transcend the subject-object dichotomy we often fall into when looking to entertainment to serve us in escaping reality instead of embracing it.
Dan’s most recent credits as a director include a Northern UK tour of Danny and the Deep Blue Sea, Things We Want at the Hope Mill Theatre, North of Providence at 53Two, This is it at the King’s Arms, Sans Merci at Hope Mill Theatre, Cracked Rainbow by Charlene James as part of Royal Exchange Theatre’s Come Closer festival and Swaggering Crow Theatre’s A Kidnapping. Dan has been Artistic Director of Play With Fire Productions since it’s inception in 2016.
As an actor, Dan has lived and performed in the United Kingdom, Canada and Australia, where he received his Bachelor of Fine Arts in Acting at the University of Southern Queensland. He has been performing for over 18 years. Throughout and following his training at drama school, Daniel fell in love with the acting technique known as Practical Aesthetics (under the guidance of Andrea Moor) for it’s simple, non-shame based and common sense approach to acting. He then moved to Canada to further his training and career, where he trained and honed his skills under Vancouver and Canada’s preeminent acting teacher Ben Ratner.
His move to the UK spawned from his love of theatre and desire to contribute to and be part of the burgeoning Manchester Theatre scene by starting Play With Fire Productions with his best friend and business partner Hannah Ellis Ryan. As an actor, he spent much of his time attempting to understand how and why certain approaches worked for him and others didn’t, eventually leading him towards teaching and directing to help guide others through the mire of modern acting training. His most recent acting credits include Tristan in Lucy Prebble’s ‘The Effect’ at the Oldham Coliseum, Michael in Herding Cat’s, directed by Lawrence Evans, Phillip in Play With Fire’s debut production Orphans by Lyle Kessler and David Mamet’s Sexual Perversity in Chicago by 1956 Theatre. Daniel will also be starring in the lead role of Ray in the upcoming production of Some Voices by Joe Penhall in 2021.